Beyond its cinematic storytelling, the show also revealed KUN's strength as a live performer.

KUN performs at his “THE DEADMAN” Asia Tour in Macau, China Courtesy Photo
KUN kicked off his “THE DEADMAN” Asia Tour with two consecutive shows on Aug. 2 and 3 in Macau, China, bringing the world of his “Deadman” project to the live stage. Built around the project’s narrative, the 22-song set unfolded as an “infinite game,” following KUN as a player navigating a Western wasteland arena through three cycles of death and rebirth.
Beyond its cinematic storytelling, the show also revealed KUN’s strength as a live performer. With live vocals throughout and a powerful dance break, he showcased his versatility as an artist and connected deeply with audiences.
The opening night coincided with KUN’s 28th birthday, with fans across the venue singing “Happy Birthday” to the artist. The moment added an intimate touch to a cinematic production centered on fate, rebirth and self-discovery.



Through the successive releases of “Deadman,” “Jasmine,” “What a Day,” and “Colder,” and the full reveal of his self-titled album KUN, he has gradually expanded from the emotional snapshot of a single track to the complete narrative arc of an album. Step by step, KUN has shaped a musical voice entirely his own, guiding listeners toward a truer and deeper self.
In his artistry, KUN has always charted his own course. Rather than answering to external expectations, he seeks answers within himself, capturing those fleeting yet fiercely honest emotions. He weaves the primal tension of root rhythms, the warmth of the vinyl era, and the precision and edge of digital-age sound design into his work, stripping away surface polish and allowing the music to return to its purest form. It is precisely for this reason that these works are never merely expressions; they take on new life with every encounter.
KUN brought these works to eight cities in Europe and North America. What began as a private expression was heard and felt across vast and unfamiliar landscapes, creating new echoes in each place. On stage, melody transcends performance. It becomes a quiet yet genuine bond between souls. Emotions of love, loss, longing, resilience, and solitude find renewed life in each shared experience. Through this ongoing inward journey, these emotions have gradually come together to form a more complete story.
“Deadman” is not a statement, but rather an entry. It slips gently into the deeper self, a hushed monologue on living toward death—one soul caught in the tug-of-war between obsession, desire, and fate, shattered time and again yet reaching for wakefulness once more. And so, the world between reality and illusion slowly takes shape, while emotions beyond the reach of words unfold through sound and light.


Now, “The Deadman” Tour opens a new chapter, projecting KUN’s entire inner world outward as a fate-driven Western epic.
Step into the Western frontier, where wind and sand close in to form an arena built for him alone. Here, the reckoning with destiny no longer unfolds somewhere out in the world — it happens on the frontier that has always existed within each of us, yet is rarely confronted. When the dust rises once more and fate takes a new turn, a clean break with the old self begins.
During the show, KUN shared his interpretation of “Deadman”, describing it as a symbol of those who rise from darkness again and again, embodying an unwavering spirit of resilience.
Following its Macau launch, the “THE DEADMAN” Tour will continue its journey across Asia. KUN has officially announced the Singapore stop, which will take place Oct. 24 at the Singapore Indoor Stadium.


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