When actors Dichen Lachman and Maximilian Osinski first discovered their house in west London’s leafy Chiswick neighborhood, they were in the middle of a workout. The husband and wife, known for their respective roles in Severance and Ted Lasso, were at a nearby gym when Lachman spotted a listing for a place a four-minute walk away. “Oh, I will just go have a quick look—I will be right back,” Lachman recalls.
It was not love at first sight in the conventional sense. The three-bedroom Victorian property had barely been touched since the ’70s and Osinski says was “the complete opposite” of the colorful, joyful home it is today. Lachman, who stars in this month’s release of horror movie Other Mommy, could see the potential. As chance would have it, the couple already knew architect and designer Charlotte Lilford, a parent at their daughter Mathilda’s school, who had renovated another house down the street.
Lachman took Osinski to see that project for inspiration. He liked what he saw enough to make a decision without even viewing the house they were buying. “I thought, If we could have something like this, I would be so happy,” Osinski says. “I trusted the end result, and the footprint is the footprint.”

A white curved sofa from Six The Residence is topped with Margeaux cushions from Soho Home, curved around the brand’s low Barrel coffee table. Pure White Lines was the go-to for accessories and statement lighting, including a Pfeiffer marble bowl, Inka side tables and a glittering Amber Sorrento chandelier. Additional cozy seating comes in the form of a blush-pink Pierre Frey Litho armchair and velvet daybed, as well as Soho Home’s Vivienne armchair.

In the entrance hall, terracotta-toned walls bring warmth to the terrazzo floor, while a bespoke mustard banquette doubles as a storage solution. Above it, a vintage Danish brass Kastor pendant by Jo Hammerborg for Fog & Mørup adds a sculptural note.

“It is good to take your time to build your environment and vibe because then things have certain meaning to them; it is not just stuff,” says Lachman.
The resulting project was part renovation, part reimagining. Lilford, a French mother of five who works between London and Paris, extended the loft and ground floor, reworked the 1,779-square-foot layout and brought new life to the period architecture, retaining Victorian details where possible and reinstating others that had been removed over the years. Her approach is architectural first—understanding how a family functions in a house before deciding how it should look. “I like designing spaces that are practical,” she explains. “I cannot design a space if it makes no sense in terms of the usage.”
For Lachman and Osinski, who live here with their daughter and their dog, Whisky, the interiors needed to accommodate a life that is far from static. Their move across the Atlantic was intended to be temporary, after Osinski landed the role of the flamboyant footballer Zava in Ted Lasso and spent months filming in Richmond. Lachman was simultaneously filming Severance, in which she plays Gemma Scout and the enigmatic Ms. Casey. What began as a short-term move from LA gradually became permanent as they fell for the family feel of west London.

Lachman and Osinski in the stairwell. “The first thing you see when you step into the house is the stairwell,” explains Lilford. “So it had to make a statement. We took the old staircase out and played with the shape to create more space around it.”
The house reflects that transition. Pieces from their LA home sit alongside objects with deep family history: Lachman brought a 19th-century tapestry that belonged to her Tibetan grandmother. Born in Kathmandu, Lachman lived in Nepal until she was seven, before her family moved to Adelaide, Australia. Those early years have remained an important part of her connection to her heritage.
Osinski’s collection of Polish circus posters similarly ties the interiors to his family history. Rugs crafted by Lachman’s grandfather, mirrors, and objects were retained because they carried memories. “We have this funny little ritual,” Lachman smiles. “When we go to a new city or country, we always buy a Christmas decoration. I know it is very cheesy and touristy, but our tree is really eclectic now and carries beautiful memories. I think that is what makes a home.” Osinski adds, “Our style is not very cookie-cutter, and neither is Charlotte’s.”

The kitchen, built by bespoke joinery company Julien Austin Giles, features a striking marble counter. “I have clients that sometimes do not want a marble worktop because they are worried about staining, but it is also part of the aging process,” explains Lilford. “Those natural materials give real character to your space.” Osinski reflects on how this is an entertaining space: “When we have friends over, everyone goes to the kitchen. I have started to feel like if I suggest heading to the living room it is almost an insult,” he laughs.

A curved banquette upholstered in Pierre Frey fabric makes for a cozy corner beneath a Raphia Rosace wall covering from CMO Paris. “There were some things, which is what I love about Charlotte, that were nonnegotiable, and this wall covering was one of those things,” says Lachman. “I was worried that it was going to be a nightmare to keep clean, but actually, it is not, and it is absolutely beautiful.” A round table from Pottery Barn sits in front, while a 1990s vintage Murano glass light adds a softly glowing focal point overhead. The zebra print footstool was a Pure White Lines find.
Lilford designed the kitchen to function as a hardworking family environment, making it feel like an extension of the rest of the house rather than a utilitarian zone. “You need kitchens to be practical but pretty because everybody is entertaining in their kitchen,” Lilford says. The couple arrived from LA with a formidable list of appliances, including larger-than-average ovens for the UK and a substantial range, but Lilford found a way to accommodate them within the more compact London layout.
Color, wallpaper, marble, mosaic, and Zellige tiling are used generously, but often in concentrated moments. A patterned corner of the kitchen doubles as a booth, while the compact courtyard is treated as another room. “The smaller the garden, the more money you need to put in it,” Lilford says. “You need to make a real splash.” The splash comes in the form of a marble wave mosaic tile pattern from Starel—a triumph of an outdoor flooring feature that flows inside too.

The Brazilian green Murcell oval dining table from Soho Home anchors the open-plan dining area, surrounded by the brand’s sculptural Georgina chairs.

“When the space is relatively small, you can be a bit more extravagant because you do not need to buy as much material,” says Lachman. “If we had to tile an entire backyard in LA with that tile, we would never have done it.” A travertine coffee table from Pure White Lines is paired with an outdoor brass L-shaped sofa from CB2. Mirrors from local garden center Wheelers of Chiswick reflect the greenery. “In the spring, the courtyard gets so much sun. If you have jet lag, lying down there is amazing,” says Lachman.

“It is cold here a lot of the time,” says Lachman. “When you walk into this room, you just feel a sense of warmth.” An intimate seating nook is wrapped in Matières Végétales jungle wallpaper by French design house Élitis, with a John Lewis Pleat sofa and a Wendy Morrison Plumage carpet beneath. RH lamps add a warm glow.

A secret door tucked inside the movie theater opens onto this guest bedroom, where a Rialto Venetian-style saffron wall light from Pooky pops against the green walls. The Union Jack cushion was a vintage find.
If anything, the couple, who met while living in West Hollywood and have been married for more than a decade, had to be restrained rather than encouraged with bold design decisions. “Charlotte is really good at toning us down,” Lachman says. “We are good at pushing back in terms of going a bit darker or wilder.” That conversation is visible throughout the house. The upstairs movie theater, for instance, is wrapped in a fantastical Matières Végétales jungle wallpaper by French design house Élitis. “The Fifth Avenue Hotel in New York was a big inspiration in terms of really leaning into the wallpaper and the color,” says Lachman. “I tried to track down some of their wallpaper actually, but it was custom.”
For a couple whose working lives continue to take them around the world, the house has become a constant. Lachman spent time in New Zealand earlier this year filming The Legend of Zelda. Meanwhile, Osinski has been working closer to home on hit BBC comedy Ann Droid. For all the places their work takes them, it is here that their life has become rooted.

Daughter Mathilda’s bedroom features a striking green Gucci Heron print covering the wall. “If you look on my Instagram, you will see that I incorporate pattern, colors, wallpapers and murals into my projects,” says Lilford. “That is really my thing. If you like black and white, you are probably not going to contact me. Dichen and Max are very colorful personalities, so they were on board with all of the color.”

The peach basin in Mathilda’s bathroom was made bespoke for the space, set against Starry Night navy blue tiles by Otto Tiles, which continue across the ceiling. “The dark tiles create a cosy, magical nighttime feeling. It was a small space, so we could go full on,” says Lilford.
During our visit, a neighbor is looking after Whisky, while Mathilda pops over to a friend’s house to play. The couple have become embedded in the community. “LA is built for cars,” Osinski says. “London is very human scale.” Their Chiswick house may be smaller than the new-build they left behind in California, but it has encouraged a more connected way of living.
It is practical enough for family life, playful enough to reflect its owners, and makes every square foot count. Most importantly, it feels lived in and loved.

The Bijou fluted stone bath is from Aquaroc. “Obviously I am an aesthetic freak but, maybe because I am an architect, I need the space to be usable,” says Lilford.

The bathroom pairs a warm-toned wall light from Monologue with Wall&Decò Wet System from West One Bathrooms. The sink is custom.

The Rêverie Tropicale wall covering by Arte sets the room’s deep green palette, with Kiniko wall lights from La Redoute and Ackley Square cushions from Soho Home adding patterns and softness.
