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Requiem for a “Drunk Dad”
Jeff Bark’s elaborately composed scenes channel sundered American fantasies. They also function as personal folklore.
Yiyun Li Reads William Trevor
The author joins Deborah Treisman to read and discuss “The Piano Tuner's Wives,” which was published in The New Yorker in 1995.
A Long, Hard Look at America
As the transatlantic alliance falters, a major exhibition of U.S. photography offers Europeans a dizzying array of perspectives.
Cinema Was Claude Lelouch’s Nanny
The eighty-seven-year-old French director, in town for a rerelease of “A Man and a Woman,” his swinging-sixties “make-out movie,” ponders what he believes will be his final film.
B.D.S.M. for the Middle-Aged
Now you’re going to sit in that chair and watch me load the dishwasher my way. And you’re not going to say a single word.
Renzo Piano’s Light Touch
The architect behind London’s Shard, New York’s Whitney Museum, and Paris’s Centre Pompidou discusses the beauty of weightlessness.