This cartoony Patriots-Steelers fumble sequence that results in 4th-and-43 is must-watch clip

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This cartoony Patriots-Steelers sequence that leads to astonishing 4th-and-43 is must-watch clip image

Dec 28, 2025; Cleveland, Ohio, USA; Pittsburgh Steelers quarterback Aaron Rodgers (8) reacts in the second quarter against the Cleveland Browns at Huntington Bank Field. Mandatory Credit: Ken Blaze-Imagn Images

With points proving hard to come by in the early moments of the Patriots and Steelers' Week 2 tilt, spectators had to seek out alternative sources of joy other than the scoreboard.

Neutral observers might have found one in the form of a curious incident that saw the game take on a more humorous disposition partway through the second quarter.

Here's what you need to know.

MORE: Live weather updates from Week 2 action around the country

Inside the cartoony Patriots-Steelers fumble sequence that resulted in 4th-and-43

Deep in the second quarter, Pittsburgh looked poised to potentially put some points on the board. Mike McCarthy's side ambled across the 50-yard-line, embarking on a pilgrimage that put it within a few yards of the red zone.

On third-and-seven, Rodgers dropped back to pass, hoping to part with the oblong orb and send his side careening further towards New England's end zone. Instead, he was swept away in a tempest of navy-clad bodies, releasing the ball upon contact from Christian Elliss. The ball bumbled once it met the ground, dancing some 36 yards behind the line of scrimmage.

— NFL (@NFL) September 20, 2026

New England appeared the likelier of the two teams to recoup the ugly thing. Dre'Mont Jones and Christian Gonzalez each caressed the apparatus for a fleeting moment.

She was unwilling to be tamed, though. The ball slipped from both of their grasps, eventually settling at the 39-yard line. Troy Fautanu was the biggest beneficiary from the Marx Brothers-like sequence; the Steelers offensive lineman flailed to the ground to recover the ball, lying supine before being greeted by other bodies.

It was cartoonish, immature, anxiety-inducing and outrageous. It was also eye-catching — the sight of seeing the ball giving way to its tumbleweed-like intentions proved noteworthy, even if the incident that spurned the alteration didn't.

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