Image via New Line Cinema
Published Oct 15, 2026, 10:23 PM EDT
Ryan Heffernan is a Senior Writer at Collider. Storytelling has been one of his interests since an early age, with his appreciation for film and television becoming a particular interest of his during his teenage years.
This passion saw Ryan graduate from the University of Canberra in 2020 with an Honours Degree in Film Production. In the years since, he has found freelance work as a videographer and editor in the Canberra region while also becoming entrenched in the city's film-making community.
In addition to cinema and writing, Ryan's other major interest is sport, with him having a particular love for Australian Rules football, Formula 1, and cricket. He also has casual interests in reading, gaming, and history.
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Defined by its ceaseless narrative possibilities, its enthralling sense of adventure, and its invitation to enter into a world of wonder, fantasy cinema is one of the most universally appealing and enrapturing genres the medium has to offer. Even dating back to the silent era of film, fantasy movies have had a uniquely powerful ability to enchant audiences of all ages and immerse them in their divine realities, often while revolutionizing the possibilities of filmmaking in the process.
Also dating back to the silent era of film is the genre’s dazzling ability to pluck stories from the page and transfer them to the screen with spellbinding results. From Oscar-winning sensations that forever changed the medium to adored cult classics that have stood the test of time, from family-friendly adventures capable of enthralling viewers of all ages to awe-inspiring epics with an uncanny ability to engulf the imagination of the audience, the fables of the fantasy films were first for the page rather than the screen.
10 'The NeverEnding Story' (1984)
Image via Warner Bros. PicturesOne of the defining fantasy films of the 1980s and an enduring masterpiece of wonder and adventure, The NeverEnding Story runs as an adaptation of Michael Ende’s novel of the same name. Using a bullied youth’s intrigue in a fantasy novel as a framing device, it casts viewers into Fantasia, a magical realm that is under threat from a destructive force known as The Nothing. When The Childlike Empress (Tami Stronach) falls ill, young Atreyu (Noah Hathaway) is tasked with finding a cure for her ailment so she can regain her strength and save Fantasia.
While the rudimentary presentation of some of the world may have aged poorly, the film’s captivating majesty remains firmly intact, largely due to such astonishing characters as Falkor, Gmork, Morla, and even the noble steed Artax. Interestingly, despite the film’s noteworthy box office success and the widespread adoration it received from fans and critics alike, Ende was disdainful of the finished picture, with The Independent revealing that he described it as “revolting” during a press conference and insisted on not being acknowledged in the credits.
9 'Stardust' (2007)
Image via Paramount PicturesA criminally underrated fantasy extravaganza that marries dazzling action-adventure with a heartfelt romance and laughs aplenty, Stardust is an enchanting spectacle featuring an all-star cast and an exciting story of love and power. When a star falls in the magical realm of Stormhold, Tristan (Charlie Cox), a lovestruck Englishman, vows to gather it. However, when he learns that the fallen star is a woman named Yvaine (Claire Danes), his intentions begin to change. With feuding princes and sinister witches all hunting Yvaine to use her power, Tristan is torn between being her captor and her guardian.
Able to harness the eccentricity, intrigue, and fun of Neil Gaiman’s novel in a manner that is, above all else, profoundly entertaining, Stardust is an ambitious effort that, even with its wild tonal swings, sticks the landing to provide a satisfying viewing experience. Presenting the fantasy genre at its most exuberant, it is a sublime and delightful swashbuckling adventure that should have fared far better than it actually did.
8 'Willy Wonka & the Chocolate Factory' (1971)
Image via Paramount PicturesIt may not venture to magical realms, nor does it entail mythical beasts or beings of immense power, but Willy Wonka & the Chocolate Factory remains a defining installment in the annals of fantasy cinema. Based on Roald Dahl’s “Charlie and the Chocolate Factory,” it famously follows a boy from a poor family as he secures one of five golden tickets, enabling him to go on a tour of the chocolate factory run by the enigmatic and eccentric confectioner, Willy Wonka (Gene Wilder).
While largely defined by Wilder’s wonderful performance, the film also finds a unique allure in its willingness to embrace the dark and occasionally disturbing disposition Dahl often incorporated into his stories. Interestingly, despite its standing as an all-time classic, Dahl resented the film. Not only did he reject the deviations it made from his book, but he also loathed the idea of Wilder as Wonka.
7 'How to Train Your Dragon' Trilogy (2010–2019)
Image via Paramount PicturesNot only an awe-inspiring fantasy adventure, but one of the defining titles in animated entertainment this century as well, How to Train Your Dragon is synonymous with heartfelt fun and family-friendly fantasy brilliance. The trilogy follows the bond that develops between young Viking Hiccup Horrendous Haddock III (Jay Baruchel) and Toothless, the dragon he is sent to kill but befriends instead. While their unlikely bond evokes strong tensions, it could be exactly what is needed to bring peace to the island of Berk.
Enchanting viewers of all ages with its dazzling visual display and its powerful story of friendship, the trilogy has amassed such a following that a live-action remake has been produced and will release in cinemas later in 2025. While that may be based on the animated films, the animated films themselves are loosely based on Cressida Cowell’s series of children’s books of the same name.
6 'The Thief of Bagdad' (1924)
Image via United ArtistsA glorious highlight of epic cinema in the silent era, The Thief of Bagdad is an enduring classic even now that it is over 100 years old. Douglas Fairbanks stars as Ahmed, a notorious thief who falls in love with a beautiful princess and, as she becomes immediately enamored with him, decides to marry her. In order to appease her powerful father, however, Ahmed must first outwit three princes and save the city if he is to be with his one true love.
While Fairbanks himself was credited with conjuring up the story, and Achmed Abdullah and Lotta Woods are billed as screenwriters, the movie was actually inspired by several stories from “One Thousand and One Nights,” a collection of Middle Eastern folktales also commonly known as “Arabian Nights.” Today, the film is regarded as one of the defining achievements of silent cinema, the greatest accomplishment of Fairbanks’ career, and one of the finest, most enchanting, and earliest masterpieces of fantasy cinema.
Collider Exclusive · 8 Questions · 2 Minutes What Fantasy World Do You Belong To? Middle-earth · Grand Line · The Continent · Camp Half-Blood
Pick your magic, your crew, where you want to wake up and who you would rather be fighting, and we will tell you which world you actually belong in. Four are open to you: an ancient kingdom living through its last good age, an endless sea full of pirates, a continent that pays people to kill monsters, and a summer camp where the Greek gods are extremely real and mostly a nuisance.
💍Middle-earth(Rings of Power)
👒Grand Line(One Piece)
🐺The Continent(The Witcher)
🔱Camp Half-Blood(Percy Jackson)
FIND YOUR WORLD →
01
What kind of power do you want? Every one of these worlds runs on a completely different sort of magic.
ASomething ancient and half forgotten that came down through my family. BSomething completely ridiculous that works in a fight and gets a laugh. CNo magic at all, just training, potions and a very sharp sword. DSomething I inherited from a parent I have barely met.
NEXT QUESTION →
02
Who is travelling with you? Nobody gets through any of these stories entirely on their own.
AA fellowship drawn from every corner of the world who barely trust each other. BA crew I picked up one at a time, all of whom would die for me. CTwo or three people I would never describe out loud as friends. DTwo mates from school who are exactly as out of their depth as I am.
NEXT QUESTION →
03
Where do you want to wake up tomorrow? The best fantasy is usually just somewhere you would genuinely like to live.
AA high city of white stone with the sea somewhere far below. BA ship under sail, with an island ahead that nobody has mapped. CA rented room over a tavern, in a town I am leaving in the morning. DA cabin at a summer camp with everybody else already awake outside.
NEXT QUESTION →
04
How are you making a living out there? Even in fantasy somebody has to pay for the horse.
AI am not, because somebody far older than me decided this was my duty. BTreasure, and I am not always careful about whose it used to be. CI take contracts, since people will pay well for what they will not touch. DI am fifteen and this is all technically a school trip.
NEXT QUESTION →
05
There is something in the woods. What do you do about it? All four of these worlds keep something unpleasant out there in the dark.
ASend word to somebody who has seen this before, then hold the line. BWalk straight in, because it is interesting and possibly edible. CAsk what it has been eating and what the village is willing to pay. DWork out which myth it escaped from, then improvise very badly.
NEXT QUESTION →
06
Who is the villain of your story? The enemy tells you far more about a world than the hero ever does.
AAn ancient evil that has been patient for several thousand years. BA government that has spent a long time calling itself the good guys. CA man who turns out to be far worse than anything I hunt for money. DA god, or possibly my own family, and quite likely both at once.
NEXT QUESTION →
07
What do you actually believe in out there? Every world hands its heroes one rule and asks them to hold onto it.
ASome things are worth defending even when the odds are hopeless. BNobody gets to tell me where I can go or what I am allowed to want. CPick the lesser evil, and never pretend afterwards that it was not evil. DMy friends come before anything a prophecy has to say about it.
NEXT QUESTION →
08
A thousand years from now, how are you remembered? Eight questions in, this is the one that decides your world.
AIn a song, in a language hardly anybody still speaks. BAs the one who got there first and proved the whole thing was possible. CBarely, and mostly wrongly, in ballads I would absolutely hate. DOn a plaque at a camp, read by kids about to do the same thing.
REVEAL MY WORLD →
The Map Is Drawn Your World Is…
Four worlds and four completely different ideas of what a good life looks like. This is where you belong, what it would ask of you, and what you would get back in return.
Middle-earth
You belong somewhere old enough that the mountains have names and somebody can still tell you who gave them. Middle-earth is for people who think the right thing is worth doing even when it will not be finished in their lifetime.
- This is the only world on the list where doing good is understood as a very long defeat, fought anyway, by people who will never see how it ends.
- You are drawn to grandeur, to white cities and deep forges and the sense that almost everything you touch is older than your entire family line.
- The Rings of Power is set in the last good age before it all goes wrong, which gives every quiet scene in it a slightly unbearable weight.
- You would take the hard road, and you would take it on foot.
The Grand Line
You want the sea, a crew, and absolutely nobody telling you where you are allowed to go. The Grand Line is the world for people whose main ambition in life is finding out what is over there.
- One Piece has run for decades on one very simple engine, which is a group of people who each want something impossible and have decided to go and get it together.
- You collect people. Your ideal crew is a set of misfits who were each written off somewhere else before you turned up and offered them a better idea.
- The world is enormous and deliberately ridiculous, and the emotional gut punches land harder because of that rather than in spite of it.
- You would set sail knowing the map runs out, which is more or less the entire point of it.
The Continent
You would rather be feared and useful than liked and useless. The Continent is a world where the monsters are the straightforward part of the job and the people are where it all gets complicated.
- Witchers get paid to do what nobody else will and resented for existing at all, which is a trade most people would refuse and you would probably accept.
- You have no real illusions about which side is the good one, largely because on the Continent that question tends to have a disappointing answer.
- The best of these stories are not about the fighting. They are about somebody with a rigid code being repeatedly cornered into caring about people.
- You would take the coin, finish the job properly, and be out of town before the story got told wrong.
Camp Half-Blood
You want the myths to be real and loose in the actual world, and you want to find out at about thirteen that you were never anywhere near as ordinary as everybody kept telling you.
- Percy Jackson takes the oldest stories we have and drops them into car parks and diners, which makes the gods considerably funnier and a great deal worse.
- You would be the kid every school gave up on, who turns out to have been built for something nobody thought to test for.
- The series is genuinely about friendship rather than destiny, and it says so out loud every time a prophecy tries to get in the way.
- Camp Half-Blood is the real fantasy here: a place where the thing that made you difficult everywhere else is the thing that makes you belong.
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5 'Mary Poppins' (1964)
Image via Walt Disney Studios Motion PicturesBased on P. L. Travers’ famous children’s fantasy books, Disney’s release of Mary Poppins marks not only one of the defining moments in the studio’s extensive and decorated filmography, but one of the most iconic pictures the medium has ever seen. There is a semblance of irony, then, that despite all the fanfare and critical acclaim it received, not to mention the five Academy Awards from 13 nominations, Travers herself was not fond of the movie.
Everyone else was, with viewers of all ages being swept away by the enchanting tale, be it for the landmark achievements in special effects, the infectiously joyous musical beats, or simply Julie Andrews’ entirely captivating performance as the titular nanny to the Banks children. It remains a watershed moment for the industry at large while also standing as a triumphant touchstone of the allure of fantasy cinema at its most enthralling, imaginative, and profoundly magical.
4 'The Wizard of Oz' (1939)
Image via MGMBased on L. Frank Baum’s The Wonderful Wizard of Oz, 1939’s The Wizard of Oz follows Dorothy (Judy Garland) as she is swept from her home in Kansas and finds herself stranded in the magical land of Oz. She soon makes three new friends, and the group travels to see the Wizard (Frank Morgan), hoping he can fulfil their wishes.
One of the most famous films of all time, and heralded by many as one of the greatest as well, The Wizard of Oz is simply a quintessential movie that everyone must experience at least once in their life. Its fantasy elements are completely captivating, while its vibrant and adventurous nature and its infectious musical charm have ensured it has aged with tremendous grace for almost a century, and will continue to endure as a cinematic triumph for many years to come.
3 'The Princess Bride' (1987)
Image via 20th Century StudiosOne of the most defining and enduring cinematic triumphs of the 1980s, The Princess Bride is an adaptation of William Goldman’s novel, penned by Goldman himself. Love, romance, fantasy, swashbuckling adventure, revenge, and action combine in the spellbinding tale that focuses on Westley’s (Cary Elwes) efforts to rescue his true love, Princess Buttercup (Robin Wright), when she is forcibly betrothed to Prince Humperdinck (Chris Sarandon). Venturing across the mythical land of Florin to achieve his goal, Westley encounters many fierce enemies and even makes some unlikely allies in his conquest.
A rousing viewing experience that is able to charm, enchant, enthrall, and excite audiences with outstanding grace and ease, The Princess Bride is a true classic of the genre both in print and on the screen. In fact, it arguably stands as the single greatest fantasy movie of the 20th century, as well as one of the most powerful and sincere love stories in film, and one of the most intoxicating adventures moviegoers have ever been treated to.
2 'Harry Potter' Franchise (2001–2011)
Image via Warner Brothers PicturesPure, wondrous, and absolutely awe-inspiring, the Harry Potter saga is one of the few instances where a story has been perfectly delivered both on screen and in book form. Both the film series and the novels follow Harry Potter (Daniel Radcliffe), a boy who learns he is a wizard and attends Hogwarts School of Witchcraft and Wizardry. Throughout his education, he must stand against many perilous obstacles, including Lord Voldemort (Ralph Fiennes), an evil villain with an intrinsic link to Harry.
The earlier films in the franchise shine through their childlike sense of astonishment, their imaginative fervor that presents Hogwarts as the idyllic school for anyone who loves adventure and magic. Growing darker as the series unfurls, however, the Harry Potter films strike a fantastic balance between the wonder of fantasy and its dark allure to be one of the ultimate examples of the genre the screen has ever seen, as well as one of the greatest film franchises of all time.
1 'The Lord of the Rings' Trilogy (2001–2003)
Image via New Line CinemaFrom adaptations of all manner of magical stories to some of the most astonishing original genre tales to have graced the screen, no film or television series has influenced and defined fantasy on the screen quite like The Lord of the Rings. Set in the realm of Middle-earth, the epic trilogy depicts the fellowship’s efforts as they set out to destroy the One Ring and defeat the evil wizard Saruman. While Frodo Baggins (Elijah Wood) and Samwise Gamgee (Sean Astin) make for Mordor, the rest of the fellowship rally the forces of Middle-earth to stand against the coming fight.
A divine and engrossing spectacle defined by its superb characters and its immersive story as much as it is by its astonishing battle sequences and visual grandiosity, The Lord of the Rings trilogy brings J. R. R. Tolkien's novel — and, indeed, his wider world of Middle-earth — to life in extraordinary fashion. From the stunning realization of all the different races of Middle-earth to the deft incorporation of magic into the films, there are many reasons LotR can only be regarded as the single greatest fantasy tale ever put to screen, and arguably the best movie trilogy of all time.
