Stephen King’s New 8-Part Horror Series Is an Instant Prime Video Super-Hit

Published Oct 8, 2026, 8:30 PM EDT

Rohan Naahar is a News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once.

He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema.

With a career spanning seven decades, Stephen King is arguably one of the most consistent creators in American pop culture. If anything, he remains as popular as ever, with new novels being published at a clip and even more film and television adaptations being released than before. In fact, 2025 was a stupendously packed year for King and his fans. It saw the release of films such as The Monkey, The Life of Chuck, and The Long Walk, each of which were successful in their own way. That said, The Running Man remake starring Glen Powell fell short of box-office expectations. It was also in 2025 that HBO released the spin-off series IT: Welcome to Derry, while MGM+ unveiled its adaptation of The Institute. This year's first King adaptation has surprisingly landed in October, but as expected, it has emerged as an instant hit.

The latest King adaptation is a streaming series created by longtime King aficionado Mike Flanagan. The filmmaker previously directed the King adaptations Gerald's Game, Doctor Sleep, and The Life of Chuck. He has now struck a deal with Prime Video to create a long-form adaptation of King's magnum opus, The Dark Tower series. But he began the creative partnership with an eight-episode adaptation of King's first-ever published novel. The book, about a bullied high school girl who exacts vengeance on her foes, was first made into a classic 1976 movie directed by Brian De Palma. The movie was remade in 2013 by Kimberly Peirce, with Chloë Grace Moretz in the central role.

Collider Exclusive · 8 Questions · 2 Minutes What Is Your Biggest Horror Nightmare? Elm Street · Chucky · Scream · The Conjuring

Four horror franchises. Four completely different ways of scaring you. One waits until you fall asleep. One makes sure nobody believes you. One is already in your group of friends. And one is in the house with your family. Answer eight quick questions about how you actually watch horror, and find out which nightmare was built for you.

😴Elm Street(Freddy Krueger)

🧸Chucky(Child's Play)

📞Scream(Ghostface)

🕯️The Conjuring(The Warren Files)

FIND YOUR NIGHTMARE →

Which horror scene makes you cover your eyes? Four classic images. One of them is worse than the others for you.

ASomebody falling asleep when they really should not. BA toy that has moved, and nobody touched it. CA phone ringing in an empty house. DA child talking to somebody who is not there.

NEXT QUESTION →

You are home alone and you hear a noise. First thought? Everybody has one. It arrives before you have decided anything.

AI am exhausted and my mind is playing tricks on me. BSomething in this room is not where I left it. CSomebody is in here with me. DThis house has never felt entirely right.

NEXT QUESTION →

Which horror movie rule would you break first? Everybody thinks they would survive. Almost nobody actually does.

ANever fall asleep. BNever leave it out of your sight. CNever answer the phone. DNever go down to the basement.

NEXT QUESTION →

Something genuinely frightening happens. What do you do? Not in a film. In your actual living room, tonight.

AConvince myself I imagined the whole thing. BTell someone, and brace for them not believing me. CWork out which person I know could be behind it. DGet everybody in the house into one room.

NEXT QUESTION →

How do you actually watch a horror film? Be honest about this one. Nobody is checking.

AFine during. Wide awake at two in the morning. BShouting at the screen that nobody is listening. CCalling the twist out loud before it lands. DThrough my fingers, holding on to something.

NEXT QUESTION →

Somebody offers you serious money. Which do you still refuse? The amount does not matter. There is one on this list you are not doing.

AFall asleep in a room I have never been in before. BKeep an old doll on the shelf facing my bed. CAnswer every unknown number that calls after midnight. DSpend one night alone in a house with a history.

NEXT QUESTION →

Which feeling stays with you a week after the film? Good horror does not stop when the credits do.

ANot wanting to turn the bedroom light off. BNot trusting one particular object in my house. CLooking twice at people I have known for years. DFeeling like something came home with me.

NEXT QUESTION →

Something wakes you at 3am. What is the worst possibility? Eight questions in, this is the one that decides your nightmare.

AThat I am still asleep, and it knows it. BThat the thing nobody believed me about is here. CThat somebody with a key is downstairs. DThat something is in the doorway, watching us sleep.

REVEAL MY NIGHTMARE →

The Lights Just Went Out Your Nightmare Is…

Four franchises, four completely different ways of getting underneath your skin. This is the one built out of your particular fear, why it works so well on you, and what it would leave behind.

Elm Street

Your nightmare does not wait outside the door. It waits for you to close your eyes, which you are going to have to do eventually, because nobody has ever won that particular argument.

Freddy is horror's cruellest idea: a threat that lives in the one place you cannot guard, cannot lock, and cannot avoid forever.
You are the one who is fine during the film and wide awake at two in the morning. Your own head is where this does its damage.
These films understood exhaustion as a horror engine. The kids on Elm Street do not lose because they are weak. They lose because they are tired.
You can lock every door in the house. You still have to sleep.

Chucky

Your nightmare is not really the doll. It is the face of the person you tell, and the way they decide, very kindly, that you have imagined all of it.

Chucky works precisely because he is absurd. That is the trap: the more accurately you describe him, the less anybody is going to believe you.
You are the one shouting at the screen because the characters are not listening. You know that feeling from real life too.
The franchise is at its best when the adults in the room are the real obstacle, and you have met those adults.
By the time somebody finally believes you, you will have handled most of it on your own.

Scream

Your nightmare has your number, knows your name, and has almost certainly been inside your house before. The worst part is that you already know them.

Scream is the only one of these where the killer takes the mask off and turns out to be somebody who was at the party.
You are the person who calls the twist out loud before it lands. You watch people the same way you watch films.
The franchise made the rules of horror part of the plot, which means the survivors are the ones paying attention. You would be paying attention.
Everybody is a suspect, including the person who just offered to walk you home.

The Conjuring

Your nightmare is not really about you. It is about the people asleep down the hall, and the feeling that whatever is here is not interested in leaving.

The Conjuring films are domestic horror. The house, the family, the perfectly ordinary room that quietly stops feeling ordinary.
Your instinct is to get everybody into one room. Your fear is protective rather than personal, which is rarer than it sounds.
This is the one franchise where belief is the weapon. The people who come through it are the ones who are not alone and refuse to be.
Whatever is here did not come for you. It came for the household, and you are the one standing in the hallway.

↻ RETAKE THE QUIZ

Stephen King's New Show Has Been Critically Acclaimed

Carrie-Matthew-Lillard-Amber-Midthunder-Interview

Alison Thornton and Siena Agudong smiling at each other as Chris Hargensen and Sue Snell in Carrie.

We're talking, of course, about Carrie. The new series stars Summer C. Howell in the titular role, along with Samantha Sloyan and Amber Midthunder in supporting parts. According to FlixPatrol, Carrie immediately found a spot on the domestic and global Prime Video leaderboard following its debut on October 7, challenging the holdover hit Neagley. The new series has received excellent reviews and is now sitting at a "Certified Fresh" 85% score on the aggregator website Rotten Tomatoes. The site's consensus reads, "Mike Flanagan aptly expands this teen mythos with added compassion and ingenuity, bringing a modern touch to a timeless work and giving all performers involved the opportunity to shine while witnessing the ascension of a fascinatingly new Carrie." In his review, Collider's Nate Richard wrote, "Not every deviation works, and the series becomes less interesting whenever it dives too deeply into larger worldbuilding, but it's definitely worth a watch for those who hold the novel near and dear to their hearts."