PinkPantheress & Zara Larsson’s ‘Stateside’ Skates to No. 1 on Billboard Global Charts

PinkPantheress’ “Stateside,” with Zara Larsson, glides a spot to No. 1 on both the Billboard Global 200 and the Billboard Global Excl. U.S. charts. The song has grown in prominence since Alysa Liu skated to it in her exhibition performance at the Milano Cortina Winter Olympics Feb. 21, two days after she became the women’s figure skating champion, winning the first gold medal in the event for the United States in 24 years.

Each artist earns her first No. 1 on the charts. Notably, PinkPantheress is the second consecutive British artist to reign, a week after Harry Styles’ “American Girls” launched at the summit of the surveys. U.K. acts last led in succession in 2022, via a 21-week Global 200 streak for Glass Animals’ “Heat Waves,” Styles’ “As It Was” and Kate Bush’s “Running Up That Hill (A Deal With God)” (and a four-week run for Styles’ and Bush’s songs on Global Excl. U.S.).

PinkPantheress is the first English woman to lead the lists since Adele with “Easy on Me” in 2021.

Larsson, meanwhile, is the first Swedish recording artist to top the tallies since they began in September 2020.

Elsewhere, Dominic Fike notches his first top 10 on both charts with his resurgent “Babydoll,” from 2018.

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Stateside” rules the Global 200 with 47.7 million streams (down 6%) and 2,000 sold worldwide (up 2%) March 13-19.

HUNTR/X’s “Golden” bounds 8-2 on the Global 200 following 18 weeks at No. 1 between last July and December. It’s up 9% to 40.1 million streams and 93% to 12,000 sold worldwide in the week ending March 19, after the trio performed it and it won the Academy Award March 15 for best original song, while parent movie KPop Demon Hunters claimed the Oscar for best animated feature.

Olivia Dean’s “Man I Need” rises 4-3 on the Global 200 after reaching No. 2; “American Girls” falls to No. 4; and Bruno Mars’ “Risk It All” drops 3-5, two weeks after it opened at No. 1.

“Babydoll” vaults 17-7 on the Global 200 led by 41.8 million streams worldwide (up 13%). Fike concurrently adds his third top 40 hit on the chart as “White Keys” (released in November) jumps 47-30; he hit No. 29 with “Love Hangover,” with JENNIE, in February 2025.

“Stateside” leads Global Excl. U.S. with 31.7 million streams (down 4%) outside the U.S.

“Golden” flies 7-2 on Global Excl. U.S. following a record 20 weeks at No. 1 last July to January; Taylor Swift’s “The Fate of Ophelia” lifts 4-3 after eight weeks at No. 1 in October-February; “Man I Need” pushes 5-4 after hitting No. 3; and Bad Bunny’s “DtMF” dips 3-5 after four weeks at No. 1 beginning in February.

Plus, “Babydoll” leaps 14-7 on Global Excl. U.S. with 29.1 million streams outside the U.S. (up 13%).

The Billboard Global 200 and Billboard Global Excl. U.S. charts dated March 28, 2026, will update on Billboard.com Tuesday, March 24. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.