Kany García Shines in Madrid With Mon Laferte, Lia Kali & Message About Venezuela: 5 Best Moments

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The Puerto Rican singer-songwriter packed the Movistar Arena as part of her Puerta Abierta Tour 2026.

7/6/2026

Kany García, Madrid, Puerta Abierta Tour 2026.

Kany García turned her stop in Madrid into much more than just another leg of her Puerta Abierta Tour 2026. After delivering the opening address for MADO 2026’s Latino Pride celebration on Wednesday (July 1), the Puerto Rican artist drew a crowd of 11,750 people to the Movistar Arena on Sunday (July 5), according to venue figures. The concert blended her music with heartfelt conversations about diversity, Venezuela and immigration, creating a deep connection with the audience that ultimately shaped the night.

The venue lights dimmed as the screens displayed images of a young Kany. Moments later, she appeared on stage to perform “García” and “DPM,” kicking off a concert where the audience sang along from the very first verses.

A two-level stage design placed the musicians between the upper platform and the main stage, while three horizontal screens displayed visuals that shifted with each song. García moved across both levels throughout the show, getting closer to the audience, sharing the stage with her guests, and switching instruments as each song demanded.

After the first few songs, she addressed the audience for the first time, setting the tone for the night. “I think we’re at a moment, as a community, where we no longer need to knock on the door or say much,” she said. She also spoke about the current situations in Palestine and Venezuela, thanked Madrid for being a city “not just for Spaniards, but for Latin people too,” and encouraged the crowd to give themselves a break from the news.

“What a joy to have two hours of hope, light, music, and to say screw everything happening outside this arena,” she added. That spirit carried through much of the evening, where songs intertwined with conversations and gestures that deepened the artist’s connection with the audience.

The show was part of an extensive tour that kicked off on April 17 in Mexico City and, after traveling through Latin America and Europe, will continue across the U.S. before wrapping up in December in San Juan, Puerto Rico.

Throughout the concert, García shared the stage with Melendi, Tommy Torres, Lia Kali and Mon Laferte, played multiple instruments, and delivered heartfelt moments of connection with the audience. One standout gesture was when she stepped off the stage to embrace and greet two visually impaired fans who were enjoying the show from the front row.

Here are the five best moments.

From the Venezuelan Quartet to the Cello

Image Credit: Nacho Nabscab
García switched instruments as the show went on. She played the acoustic guitar on “Para Siempre,” the cello on “Lamento,” the Venezuelan cuatro on “Que Vuelva,” and the piano on “Huir” alongside Lia Kali. Each change matched the vibe of the song, keeping the flow of the concert seamless.
Movistar Arena Sings Along to “Confieso”

One of the most emotional moments of the night came with “Confieso,” the song García wrote after her father’s passing. The crowd sang along so powerfully that the artist stopped singing for several seconds just to take it all in. With phone lights illuminating the arena, the Movistar Arena took over and sang a big part of the song a cappella. Visibly moved, the artist rejoined the performance as the audience erupted in applause.
A Message to the LGBTQ+ Community

Image Credit: Nacho Nabscab

“I live with a woman who spent her whole life running because she didn’t belong anywhere, because she didn’t feel safe in her surroundings or with her family, and she had to become her own family,” she shared before performing “Huir” alongside Lia Kali. Drawing from that story, she spoke about members of the LGBTQ+ community who still haven’t found a place where they feel safe. “A lot of people still haven’t found family; a lot of people still don’t fit in,” she added before inviting Kali to the stage.

After the song ended, the guest grabbed the mic and addressed the audience, dedicating a few words to García: “This woman has a magic, a heart, and a personality that’s simply unstoppable. Thank you so much for inviting me.”
A Message for Venezuela

García spent several minutes toward the end talking about Venezuela after the double earthquake on June 24. “Even if you want to fully grasp the sensitivity of it, it’s impossible,” she admitted before urging the audience not to forget those still going through this tough time. “Let them know they’re not alone, that they’ve got the support of all of Latin America, Spain, and many other countries who are still here for them,” she said. She also reminded everyone that “the instability of a government doesn’t represent the instability of humanity.” García reflected on how tragedies often fade from the spotlight as time passes: “When disaster strikes, we all rally together, and that’s great. But after that, there are days when the calls stop coming. Let’s keep posting about Venezuela. Let’s keep showing up for them.”
Mon Laferte Joins García For Powerful Feminist Anthem

Image Credit: Nacho Nabscab
Mon Laferte’s appearance sparked one of the loudest ovations of the night. Before inviting her on stage, García spoke about the blame historically placed on women and said, “Singing ‘La Mala Era Yo’ becomes a necessity.” She then introduced the Chilean singer as “a powerful woman, a feminist, a singer-songwriter” before they performed the song together. The strength of their combined voices made the performance one of the most celebrated moments of the concert. When it ended, Laferte grabbed the mic to address García: “I love you, you’re a goddess. Thank you for sharing your stage and your heart with me.”