It’s a continuation of the softer, more ethereal sensibility Pugh has been exploring throughout her East of Eden promotional run. There have been diaphanous silhouettes, sculptural bodices, and romantic flourishes courtesy of Rodarte, Patrick McDowell, and Vivienne Westwood, often tempered by the slightly rebellious beauty choices that have become something of her signature.
Cole, meanwhile, stayed firmly within his own sartorial wheelhouse: dark-toned tailoring with sharp lapels and considered accessories. Working with stylist Tom O’Dell, the actor opted for a lightweight chocolate-brown double-breasted suit by Brioni, worn with a striped cotton shirt and brown wool-and-silk tie from the Italian house. A Cartier watch, silver tie clip from his own collection, and Grenson tassel loafers worn with white socks finished the look.
Together, the effect was cohesive without being coordinated. Where Florence Pugh gravitated toward romance and embellishment, Finn Cole favored the clean lines and classic codes of menswear. It reflects two distinct approaches to red carpet dressing, but a pretty convincing fashion partnership nonetheless. More to come, we hope!
