Image via Universal Pictures
Published Oct 15, 2026, 8:15 PM EDT
Makuochi Echebiri is a News Writer for Collider. He has been interested in creative writing from as far back as high school, and he would consume pretty much anything that’s film or TV. However, his truest love lies in the presence of historical epics and thrillers.
Lured by the brilliance of Middle Earth from an early age both in print and on screen, his palate has since expanded to other realms including Westeros, Kattegat among others. He also possesses a great appetite for the stories that emanate from the vastness of space. Even though he is no Avenger.
Obsessed with storytelling and having works of his own that have yet to make it to print, he is content to use that ability to communicate to as many as are reachable. In his spare time, he looks out for avenues where he can aid people aside from his plans to reign over this earthly realm. Yes…you heard that first here.
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When one thinks of the greatest box office experiences and performances of recent times, superhero titles — especially from Marvel — feature heavily in that conversation. That train of thought was expertly proven this summer, as Tom Holland's friendly hero smashed the box office when Spider-Man: Brand New Day brought the house down over the summer. Its success was brought into focus by just how many milestones the superhero film was able to successfully eclipse. However, Brand New Day was not the summer hit that featured Holland in its cast. In another story, under vastly different circumstances, Holland swapped the spider's web for a pristinely sharpened blade.
Mega-box office films have directors to whom they owe a lot, with Steven Spielberg sitting at the top of that list as the highest-grossing film director of all time, with a box office total of approximately $10.72 billion. Other noteworthy names feature in that list as well, including James Cameron with his $9.80 billion from his efforts with Avatar, and the Russo brothers, Anthony and Joe Russo with $6.76 billion for their work on Avengers: Endgame. However, the summer of 2026 belonged to none of these brilliant filmmakers, as Christopher Nolan, an incredibly gifted filmmaker in his own right, added to his box office renown. Nolan's ambitious adaptation of Homer's The Odyssey, showcased its dominance over the summer, earning more than $1.7 billion at the global box office.
Despite a turbulent build up to its premiere, the sword-and-sandal epic has established itself as the highest-grossing film in Nolan's filmography. Now, it seems like Nolan's take on this epic Greek tale will be available in homes just in time for the holiday season. Universal Pictures Home Entertainment will release Nolan's The Odyssey on 4K Blu-ray and Blu-ray, with both releases scheduled to arrive on November 17. Based on Homer’s 2,700-year-old epic poem of the same name, the film follows Odysseus as he tries to return home to Ithaca after fighting in the Trojan War. Matt Damon leads the cast as Odysseus, with Anne Hathaway playing his loyal queen, Penelope. Holland plays their son, Telemachus, even as his Brand New Day co-stars, Zendaya and Jon Bernthal, feature as well.
Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?
Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
FIND YOUR FILM →
01
What kind of film experience do you actually want? The best movies don't just entertain — they leave something behind.
ASomething that pulls the rug out — that makes me think I'm watching one kind of film and then reveals I'm watching another entirely. BSomething overwhelming — funny, sad, absurd, and genuinely moving, all at once. CSomething grand and weighty — a film that makes me feel the full scale of what I'm watching. DSomething formally daring — a film that pushes what cinema can even do. ESomething lean and relentless — pure tension with no wasted frame.
NEXT QUESTION →
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What's yours?
AClass, inequality, and what people are willing to do when desperation meets opportunity. BIdentity, family, and the chaos of trying to hold your life together when everything is falling apart. CGenius, moral responsibility, and the catastrophic weight of a decision you can never take back. DEgo, legacy, and the terror of becoming irrelevant while you're still alive to watch it happen. EEvil, chance, and whether moral order actually exists or if we just tell ourselves it does.
NEXT QUESTION →
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
AGenre-twisting — I want it to start in one lane and migrate into something completely different. BMaximalist and genre-blending — comedy, action, drama, sci-fi, all in one ride. CEpic and non-linear — cutting between timelines, building a mosaic of cause and consequence. DA single unbroken flow — I want to feel like I'm living it in real time, no cuts to safety. ESpare and precise — every scene doing exactly what it needs to do and nothing more.
NEXT QUESTION →
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
AA system — invisible, structural, and almost impossible to fight because it has no single face. BThe self — the ways we sabotage, abandon, and fail the people we love most. CHistory — the unstoppable momentum of events that no single person can stop or redirect. DThe industry — the machinery of culture that chews up talent and spits out irrelevance. EPure, implacable evil — a force so certain of itself it becomes almost philosophical.
NEXT QUESTION →
05
What do you want from a film's ending? The final note is the one that lingers. What do you want it to sound like?
AShock and inevitability — a conclusion that recontextualises everything that came before it. BEarned emotion — I want to cry, laugh, and feel genuinely hopeful, even if the world is a mess. CDevastation and grandeur — an ending that makes me sit in silence for a few minutes after. DAmbiguity — something that leaves enough open that I'm still thinking about it days later. EBleakness — an honest refusal to pretend the world is tidier than it actually is.
NEXT QUESTION →
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what's even possible.
AA gleaming modern city with a hidden underside — beauty masking rot, wealth masking desperation. BA collapsing suburban life that opens onto something infinite — the multiverse of a single ordinary person. CThe corridors of power and science at a world-historical turning point — where decisions echo for decades. DThe grimy, alive chaos of New York and Hollywood — fame as both destination and trap. EVast, indifferent landscape — desert and highway where violence arrives without warning or reason.
NEXT QUESTION →
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
AProduction design and mise-en-scène — every frame composed to carry meaning beneath the surface. BEditing and tonal control — the ability to move between registers without losing the audience. CScore and sound design — music that becomes inseparable from the dread and awe of what you're watching. DCinematography as performance — the camera not recording events but participating in them. ESilence and restraint — what's left unsaid and unshown doing more work than any dialogue could.
NEXT QUESTION →
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
ASomeone smart and resourceful who makes increasingly dangerous decisions under pressure. BSomeone overwhelmed and ordinary who turns out to be capable of something extraordinary. CA brilliant, tortured figure whose gifts and flaws are inseparable from each other. DA self-destructive artist whose ego is both their superpower and their undoing. EA quiet, principled person trying to make sense of a world that has stopped making sense.
NEXT QUESTION →
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
AI love a slow build when I know the payoff is going to be seismic — patience for a devastating reveal. BGive me relentless momentum — I want to feel breathless and emotionally spent by the end. CEpic runtime doesn't scare me — if the material demands three hours, give me three hours. DI want it to feel propulsive even when nothing is technically happening — restless energy throughout. EDeliberate and unhurried — I want dread to accumulate in the spaces between the action.
NEXT QUESTION →
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
AUnsettled — like I've just seen something I can't fully explain but can't stop thinking about. BMoved and energised — like the film reminded me what actually matters and gave me something to hold onto. CHumbled — like I've been in the presence of something genuinely important and overwhelming. DExhilarated — like I've just seen cinema doing something it's never quite done before. EHaunted — like a cold, quiet dread that stays with me for days.
REVEAL MY FILM →
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho's Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it's ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels' Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn't want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it's about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan's Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it's about. Alejandro González Iñárritu's Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor's ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn't be possible. Michael Keaton's performance and Emmanuel Lubezki's restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers' No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Christopher Nolan's 'The Odyssey' Has Succeeded on Multiple Fronts
Other A-list stars like Robert Pattinson, Lupita Nyong’o, Charlize Theron, Benny Safdie, John Leguizamo, and Himesh Patel, among others, all shone while helping to transform Homer's classic literary work into a powerful cinematic epic. Further details regarding the new announcement notes that besides the 4K, Blu-ray, and DVD releases, The Odyssey will be released as a collectible Steelbook and a collectible $300 three-disc set. It will also be available to buy or rent on digital the same day. The film's dominance has translated beyond the box office as both the collectible set and the Steelbook have already sold out. Setting aside its clear financial success, its important to note that the film impressed critics with The Odyssey being called an "unrivaled cinematic spectacle" in Joe Schmidt's review for Collider.
The Odyssey arrives on 4K Blu-ray and Blu-ray on November 17. The film returned to select IMAX theaters on October 9, 2026.
Release Date July 15, 2026
Runtime 173 minutes
