Robert Downey Jr as Sherlock Holmes Image via Warner Bros

Published Oct 16, 2026, 10:22 PM EDT

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You may have heard the popular saying "if it ain't broke, don't fix it." Basically, it means you shouldn't waste time trying to tweak and perfect something that's completely fine as it is. It's perhaps debatable, but maybe this sentiment should be circulated throughout Hollywood more.

There have been loads of written works adapted to the big screen, some of them to the extent they're just plain overused. It sometimes feels like Hollywood bombards audiences with iteration after iteration of the same basic material. Maybe it's time to give them a rest and let more wholly original stories shine.

10 'A Christmas Carol' (1843)

Bill Murray as Frank Cross wears a top hat with a holly on it in Scrooged. Image via Paramount Pictures

It's nearly impossible to get through a Christmas season without seeing at least one of the 40+ adaptations of this novella by Charles Dickens. There are so many adaptations of this story, some animated, some live-action, one featuring the Muppets, and even one starring Bill Murray. Some are older and in black-and-white, and some are newer with new twists on the story. Et cetera, et cetera, ad infinitum.

You're likely familiar with the plot: a grumpy old man named Scrooge hates Christmas, but is visited by three ghosts who are able to change his mind. It's got a good moral about selflessness, which is probably why it's been remade so many times. The story's enduring appeal comes from how neatly it combines a ghost story and a redemption arc in a compact narrative.

9 'Pride and Prejudice' (1813)

Elizabeth and Darcy embrace on a grassy field in Pride & Prejudice Image via Focus Features

Pride and Prejudice is an early feminist romance novel written by Jane Austen. The story concerns a family of two parents and five daughters living on an upscale estate in rural England. The daughters are reaching adolescence, and due to the cultural norms at the time, are being pressured into being married by their parents.

Many are easily bored by the novel because it is very much like a soap opera, but there is no denying the cultural impact it has. Once again, there are just too many adaptations of this novel, many of which don't bring anything new to the table save for more modern technology and settings. Perhaps the most creative adaptation is the Bollywood/Hollywood fusion musical Bride and Prejudice (2004), directed by Gurinder Chadha, which makes for a much more fun and energetic version of the novel.

8 'Dracula' (1897)

Count Dracula smiles menacingly from behind a shadowy corner Image via Universal Pictures

Bram Stoker probably didn't know he'd be writing the most popular recurring character in horror when he wrote his 1897 novel Dracula. That's right: Count Dracula is the most used character in horror, appearing in a whopping 60+ films. The novel's numerous themes like gothic horror and superstition gives each adaptation plenty of room to emphasize a different side of the Count.

He has been played by Hungarian stage actor Bela Lugosi, Gary Oldman, and several times by Sir Christopher Lee, which was a role he became highly associated with. Though many of these films do deviate from the source material a bit for a fresh spin on the horror story, it doesn't change the fact that in the last 100 years, there have just been too many of them. Count Dracula needs a break too, sometimes.

7 'Alice's Adventures in Wonderland' (1871)

Johnny Depp in Alice in Wonderland as Mad Hatter

Lewis Caroll wrote this book back in the 19th century. Though it's more commonly known by a simplified title: Alice in Wonderland. The story concerns a young girl named Alice who winds up in a strange and magical world called Wonderland, filled with many bizarre creatures and places.

Perhaps the most famous incarnation is Disney's 1951 animated musical film. More recent adaptations include Tim Burton's 2010 live-action series. But these are only the most famous. There are approximately 19 different adaptations of this story, the first coming out as early as 1903 in the form of a black-and-white silent film. Because the story is built around surreal encounters rather than a tightly structured plot, filmmakers have enormous freedom to reinvent Wonderland's creatures.

6 'Peter Pan' (1911)

Rainbows reach out over the island of Neverland Image via Walt Disney

Peter Pan was initially a play first performed in 1904 before it became a novel. Both were written by J. M. Barrie. The story of a magical boy who helps some young British children fly to a magical realm known as Neverland, the novel/play has been adapted several times, many of which were done by Disney. The melancholy idea of refusing to grow up has made the story unusually adaptable across family films and sequels.

Disney first produced it in the form of a 1953 animated musical, followed by a 2002 sequel, Return to Neverland. There's also Hook (1991), a story about Peter Pan (Robin Williams) returning to Neverland as an adult. On top of that, there's a 2003 live action film, and the Warner Bros. prequel movie Pan (2015).

Collider Exclusive · Universe Personality Quiz Which Iconic Universe Do You Belong in the Most? Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek

Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.

🚀Star Wars

💍Lord of the Rings

🧙Harry Potter

👑Game of Thrones

🖖Star Trek

FIND YOUR UNIVERSE →

01

What gives your life its deepest sense of meaning? Every universe is built around a different answer to this question.

ABeing part of something larger than myself — a cause, a rebellion, a fight for freedom that outlasts me. BThe journey itself — the places I'll go, the companions beside me, the world I'll discover on the way. CLearning — unlocking what I'm capable of, understanding the world's hidden mechanics, growing into something more. DLegacy — the name I leave behind, the power I build, the mark I make before the world moves on without me. EUnderstanding — exploring what exists beyond the horizon and asking what it means to be alive in a universe this vast.

NEXT QUESTION →

02

Which kind of world do you most want to inhabit? The environment shapes who you become. Choose carefully.

AA galaxy of planets, each with its own culture — connected by conflict, trade, and the Force. BAncient lands of breathtaking beauty, deep history, and a creeping darkness at the edges. CA world hidden inside our own — full of wonder, community, and magic waiting to be learned. DA brutal, beautiful continent where power is everything and every alliance is a calculation. EA future where humanity has reached the stars — and must decide what kind of species it wants to be.

NEXT QUESTION →

03

How do you prefer your conflicts resolved? The shape of a world's conflicts tells you everything about its soul.

AThrough sacrifice and courage — someone has to make the impossible choice so others don't have to. BThrough fellowship — the impossible becomes possible when the right people walk the same road. CThrough growth — confronting what you fear, understanding what you lack, and becoming equal to the challenge. DThrough strategy — outthinking, outmaneuvering, positioning yourself so the outcome was never in doubt. EThrough dialogue — finding the third option, the peaceful resolution, the answer that doesn't require a body count.

NEXT QUESTION →

04

Who do you want beside you when things get difficult? Your ideal companions reveal the world you were made for.

AA small crew — a pilot, a rogue, a warrior — each broken in their own way, unbeatable together. BA fellowship of different kinds of people, bound by purpose and deepened by the long road. CFriends who grew up alongside me — who knew me before I knew myself, and stayed anyway. DAllies whose loyalty I've earned — and tested — and whose ambitions align with mine, for now. EA crew of brilliant, curious, principled people from every corner of known space.

NEXT QUESTION →

05

What is your relationship with power? How you seek, wield, or resist power is the map of who you are.

AI want to use it to protect — and I'm terrified of what I might become if I'm not careful. BI distrust it. The most important power in this story is the courage to give it up. CI want to earn it — through knowledge, through effort, through becoming someone worthy of it. DI want to wield it. Preferably before someone else decides to wield it against me. EI want to understand it — its structures, its limits, its ethical dimensions. Power without accountability is the real threat.

NEXT QUESTION →

06

How does your universe treat good and evil? A world's moral architecture tells you more about it than any map.

AThere is a dark side and a light side — and the choice between them is always present, always personal. BEvil is real and ancient and patient — and goodness, however small, is the only thing that can undo it. CGood and evil are real, but they live inside people — and people are complicated, always capable of both. DGood and evil are mostly a matter of perspective and proximity. Power is the only honest currency. EEvil is usually the result of ignorance, fear, or broken systems — and understanding it is the first step to solving it.

NEXT QUESTION →

07

What role would you naturally fall into? Every universe has archetypes. Which one fits you without trying?

AThe reluctant hero — ordinary origins, extraordinary moment, changed forever by the choice to act. BThe unlikely carrier — the one nobody expected to matter most, quietly bearing the weight of everything. CThe student — not yet who I'll become, learning through every mistake, growing into something the world needs. DThe player — sharp enough to see the game for what it is, ambitious enough to try to win it. EThe explorer — drawn to the unknown, driven by curiosity, most alive when standing somewhere no one has stood before.

NEXT QUESTION →

08

What do you ultimately believe about the future? The answer to this is the clearest window into which universe already lives inside you.

AThat hope is real — that even in the darkest galaxy, a new hope is always possible. CThat even the smallest person can change the course of the future, if they have the courage to try. CThat love and friendship and doing what's right will matter in the end, even when everything says otherwise. DThat the wheel keeps turning — that power shifts, winters end, and what endures is those willing to fight for it. EThat humanity — or whatever we become — is capable of extraordinary things, if we choose to be.

REVEAL MY UNIVERSE →

Your Universe Has Been Chosen You Belong In…

Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.

Star Wars

You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.

  • You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
  • You'd find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
  • Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
  • The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.

Lord of the Rings

You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world's beauty is worth protecting even at great cost.

  • Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
  • You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
  • Tolkien's universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
  • Those are not burdens to you. They are simply how you move through the world.

Harry Potter

You believe that love, loyalty, and doing what's right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.

  • The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
  • You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
  • Harry Potter's universe ultimately rewards those who choose to stand for something even when standing is terrifying.
  • That choice — made quietly, without guarantee — is something you understand completely.

Game of Thrones

You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.

  • Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
  • You would survive here — possibly thrive here — because you don't confuse the world as it is with the world as you'd like it to be.
  • Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
  • Winter always comes. You are already prepared.

Star Trek

You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.

  • Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
  • You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
  • The Federation is the universe's most ambitious thought experiment: what if we actually got better?
  • You don't just hope that's possible. You think it's the only thing worth working toward.

↻ RETAKE THE QUIZ

5 'Beauty and the Beast' (1740)

Belle and the Beast dance in a ballroom Image via Walt Disney

Technically, this one is a fairy tale/short story written by French author Gabrielle-Suzanne Barbot de Villeneuve. The story is about a young woman named Belle who is taken prisoner in the castle of a reclusive lord, who happens to be a monster. Belle begins to see the humanity in the Beast, as he was once a normal person, but is under a curse. The two eventually fall in love, the Beast returns to his human form, and they marry.

Listing how many times this story has been adapted for film would be enough to write a story of its own, but its most popular adaptations are Disney's animated musical Beauty and the Beast (1991), and its 2017 live-action remake starring Emma Watson. The central contrast between Belle and the Beast has made the tale a simple but powerful one that filmmakers repeatedly return to.

4 'The Three Musketeers' (1844)

Ray Stevenson, Matthew Macfadyen, Logan Lerman and Luke Evans in the 2011 version of The Three Musketeers.  Image via Constain Films

So it turns out the "all for one and one for all" motto didn't really stick with Hollywood filmmakers, as the industry has gone a bit overboard with adapting Alexandre Dumas' novel for silver screens. At its core, the story follows the young d'Artagnan as he joins Athos, Porthos, and Aramis and becomes entangled in schemes involving the French court.

Depending on where you do your research, the number of The Three Musketeers films ranges anywhere from 30 to well over 50, some of which have additional twists on the story. For example, there was a 3D version released in 2011, starring Logan Lerman.

3 Pretty Much Anything William Shakespeare Wrote

Leonardo DiCaprio as Romeo and Claire Danes as Juliet staring lovingly at each other in 'Romeo and Juliet.' Image via 20th Century Studios

William Shakespeare wrote numerous plays between 1585 and 1613, though many weren't published in book form until later. Most of them were comedies, but others are tragedies or historical plays. Since there is an abundance of them, and since the script is practically already written, there is a plethora of Shakespeare movies that have been made within the last century or so.

The worst offender is Shakespeare's acclaimed tragedy Hamlet (1603). This play has been adapted for the big screen 17 times, which is a bit ridiculous since the script really doesn't change between most of the adaptations. The most recently released adaptation was in 2009. Heck, even Shakespeare's tragedy MacBeth (1623) has been done to death, with the most recent iteration arriving in 2021. Some find Shakespeare films to be lazy, as the movies basically write themselves. Some movies absolutely offer a more creative spin on the premise; they're the same, just slightly more modern than their predecessors.

2 'Sherlock Holmes' (1887–1927)

A Game of Shadows' Image via Warner Bros.

Sherlock Holmes is a series of novels and short stories about the fictional detective of the same name. The stories set the stage and standards for many, many other detective novels. The cultural impact Sir Arthur Conan Doyle's works have had is massive. But it doesn't change the fact that there are still too many movies.

There have been 11 movies made based on Sir Doyle's works, but that's not all — there have also been 13 different TV series made as well. Being the world's greatest detective is hard work; perhaps he's due for a rest. There hasn't been a proper film adaptation since 2011 with Sherlock Holmes: A Game of Shadows, starring Robert Downey Jr.

1 'Frankenstein' (1818)

Frankenstein's monster peeks through some bushes Image via Universal Pictures

Mary Shelley wrote this early horror over two centuries ago, but that hasn't stopped filmmakers from milking it for all its worth. Another familiar horror icon, Frankenstein's monster has appeared in 15 feature-length films to date, with an influx in the mid-2010s, which saw three full movies released in a span of two years.

Hollywood may have brought Frankenstein's monster back to life almost as many times as Victor Frankenstein did. It's honestly kind of insulting to the character of the monster, because all the monster really wanted in the novel was to be left alone and not be treated like the creature that he was. Yet Hollywood keeps treating him as the villain, or at least for the most part. Poor guy.